The Camposanto Monumentale is the last jewel of Piazza dei Miracoli, a historic cemetery that houses extraordinary 14th-century frescoes like Buffalmacco’s Trionfo della Morte and Roman sarcophagi reused for illustrious burials. Upon entering, you breathe an atmosphere of sacredness and history, among the Gothic arches and the central lawn where holy soil from Calvary was once scattered. Here rest figures such as Leonardo Fibonacci and physicist Antonio Pacinotti.
Highlights:
– Frescoes by Buffalmacco: the cycle of the Trionfo della Morte, a masterpiece of medieval painting.
– Roman sarcophagi: over 28 reused specimens, including the sarcophagus of Bellicus Natalis.
– Galileo’s Lamp: the legend that inspired the theory of the pendulum.
– Chains of Porto Pisano: trophy from the Battle of Meloria returned to Pisa.
Events nearby
31/01/2026 - 02/06/2026
03/06/2026 - 07/06/2026
The monumental cemetery of Pisa houses medieval frescoes by Buffalmacco and Traini, Roman sarcophagi, and the legend of soil from Golgotha. An open-air museum in Piazza dei Miracoli.
- Mura di Pisa, Pisa (PI)
- Open in Google Maps
- View on Google Images Camposanto Monumentale a Pisa
Good to know
Introduction
The Camposanto Monumentale closes the north side of Piazza dei Miracoli with its long white marble wall. A monumental cemetery that feels like a grand cloister, silent and intimate, far from the tourist chaos of the tower. Here rest illustrious Pisans among Roman sarcophagi and medieval frescoes. Tradition says the central lawn was filled with earth brought from Golgotha during the Third Crusade, hence the name “Campo Santo.” A place where art, history, and spirituality meet.
Introduction
The Camposanto Monumentale closes the north side of Piazza dei Miracoli with its long white marble wall. A monumental cemetery that feels like a grand cloister, silent and intimate, far from the tourist chaos of the tower. Here rest illustrious Pisans among Roman sarcophagi and medieval frescoes. Tradition says the central lawn was filled with earth brought from Golgotha during the Third Crusade, hence the name “Campo Santo.” A place where art, history, and spirituality meet.
Historical Notes
Construction began in 1277 at the behest of Archbishop Federico Visconti and was entrusted to Giovanni di Simone, as the last building on the square. Work slowed after the defeat at Meloria (1284). From the 14th century, the walls were filled with frescoes: Buffalmacco, Traini, Taddeo Gaddi, Benozzo Gozzoli. The cemetery became Pisa’s pantheon. In 1944, an incendiary bomb devastated the roof, melting the lead and ruining most of the paintings. Restoration is still ongoing, with masterpieces like the Triumph of Death brought back to light. Here are the key moments:
- 1277 – foundation
- 1284 – Battle of Meloria
- 1336 – frescoes by Buffalmacco
- 1944 – wartime fire
- 1945-present – incessant restorations
Historical Notes
Construction began in 1277 at the behest of Archbishop Federico Visconti and was entrusted to Giovanni di Simone, as the last building on the square. Work slowed after the defeat at Meloria (1284). From the 14th century, the walls were filled with frescoes: Buffalmacco, Traini, Taddeo Gaddi, Benozzo Gozzoli. The cemetery became Pisa’s pantheon. In 1944, an incendiary bomb devastated the roof, melting the lead and ruining most of the paintings. Restoration is still ongoing, with masterpieces like the Triumph of Death brought back to light. Here are the key moments:
- 1277 – foundation
- 1284 – Battle of Meloria
- 1336 – frescoes by Buffalmacco
- 1944 – wartime fire
- 1945-present – incessant restorations
Masterpieces of the Frescoes
The most famous cycle is the Triumph of Death by Buonamico Buffalmacco (circa 1336): a danse macabre that strikes for its visual power. Next to it, the Last Judgment and Hell. On the other side, the Crucifixion by Francesco Traini is the oldest fresco (1330-1335), returned to its place in 2026 after seventy years of restoration. The north and west walls tell stories from the Old Testament, the work of Taddeo Gaddi and Benozzo Gozzoli, although the 1944 fire destroyed a large part of them. Today the restored frescoes are displayed in the Hall of Frescoes, while the sinopie (preparatory drawings) are in the nearby Museo delle Sinopie. A heritage that leaves you breathless.
Masterpieces of the Frescoes
The most famous cycle is the Triumph of Death by Buonamico Buffalmacco (circa 1336): a danse macabre that strikes for its visual power. Next to it, the Last Judgment and Hell. On the other side, the Crucifixion by Francesco Traini is the oldest fresco (1330-1335), returned to its place in 2026 after seventy years of restoration. The north and west walls tell stories from the Old Testament, the work of Taddeo Gaddi and Benozzo Gozzoli, although the 1944 fire destroyed a large part of them. Today the restored frescoes are displayed in the Hall of Frescoes, while the sinopie (preparatory drawings) are in the nearby Museo delle Sinopie. A heritage that leaves you breathless.
Sarcophagi and Historical Memories
Along the corridors, 31 reused Roman sarcophagi rest on brackets, some decorated with mythological scenes such as the sarcophagus of Phaedra and Hippolytus or that with the boar hunt. A typical Pisan custom: reusing ancient tombs for illustrious burials. Among the most curious testimonies are the rings of the Porto Pisano chain, broken by the Genoese after the Battle of Meloria and returned to Pisa only in 1848 and 1860. And then there is the statue of Leonardo Fibonacci, the mathematician of the numerical series. Every corner tells a piece of history, mixing different eras in a single space.
Sarcophagi and Historical Memories
Along the corridors, 31 reused Roman sarcophagi rest on brackets, some decorated with mythological scenes such as the sarcophagus of Phaedra and Hippolytus or that with the boar hunt. A typical Pisan custom: reusing ancient tombs for illustrious burials. Among the most curious testimonies are the rings of the Porto Pisano chain, broken by the Genoese after the Battle of Meloria and returned to Pisa only in 1848 and 1860. And then there is the statue of Leonardo Fibonacci, the mathematician of the numerical series. Every corner tells a piece of history, mixing different eras in a single space.
Why Visit It
Two good reasons. First: admire masterpieces of medieval painting up close that few people know about, in a quiet, uncrowded atmosphere. The Triumph of Death alone is worth the price of admission. Second: discover a different side of Pisa, made of tombstones, inscriptions, and stories of figures like Galileo, Fibonacci, and poets buried here. Third, but not least: the silence. After the hustle and bustle of the square, entering this cloister is like diving into the past. Be patient, read the captions, and let yourself be surprised.
Why Visit It
Two good reasons. First: admire masterpieces of medieval painting up close that few people know about, in a quiet, uncrowded atmosphere. The Triumph of Death alone is worth the price of admission. Second: discover a different side of Pisa, made of tombstones, inscriptions, and stories of figures like Galileo, Fibonacci, and poets buried here. Third, but not least: the silence. After the hustle and bustle of the square, entering this cloister is like diving into the past. Be patient, read the captions, and let yourself be surprised.
When to Go
The best time? Late afternoon, when the slanting sunlight illuminates the white marble and shadows grow long. If you come in spring or autumn, you avoid the heat and summer crowds. In summer, take advantage of the evening openings (from June 17 to August 31): the Camposanto is open until 10:30 PM, with a magical atmosphere in the illuminated corridors. I went in September around 5 PM: few tourists, absolute peace. Try it and see.
When to Go
The best time? Late afternoon, when the slanting sunlight illuminates the white marble and shadows grow long. If you come in spring or autumn, you avoid the heat and summer crowds. In summer, take advantage of the evening openings (from June 17 to August 31): the Camposanto is open until 10:30 PM, with a magical atmosphere in the illuminated corridors. I went in September around 5 PM: few tourists, absolute peace. Try it and see.
Nearby
You’re already in Piazza dei Miracoli, so you can combine a visit to the Cathedral and the Baptistery, as well as the Museo delle Sinopie, right next door, where the preparatory drawings for the frescoes are displayed. Another gem just a stone’s throw away is the Museo dell’Opera del Duomo, with original sculptures and furnishings. For a break, try a coffee at one of the piazza’s bars, but take your time booking: after all that art, you deserve some relaxation.
Nearby
You’re already in Piazza dei Miracoli, so you can combine a visit to the Cathedral and the Baptistery, as well as the Museo delle Sinopie, right next door, where the preparatory drawings for the frescoes are displayed. Another gem just a stone’s throw away is the Museo dell’Opera del Duomo, with original sculptures and furnishings. For a break, try a coffee at one of the piazza’s bars, but take your time booking: after all that art, you deserve some relaxation.
Itineraries nearby
💡 Did You Know…?
According to tradition, the soil of the Camposanto was brought from Mount Calvary during the Third Crusade, making the cemetery a sacred place. Another curious detail is Galileo’s lamp, which the young scientist observed in the Cathedral and which led him to formulate the law of isochronism of the pendulum. Today that lamp is preserved in the Aulla Chapel of the Camposanto.