The Sacro Bosco di Bomarzo, known as the Park of Monsters, is a unique Mannerist garden with grotesque sculptures created in the 16th century by Prince Pier Francesco Orsini. Each statue, such as the Orco with its gaping mouth and the Leaning House, conceals allegorical meanings tied to Mannerist culture and a love for wild nature. The park offers a surreal and immersive experience, with free paths through shaded walkways and magical corners.
- Unique grotesque sculptures: Statues like the Orco, the Giant tearing an opponent, and the Sphinx, crafted from peperino stone.
- Alchemical and mythological symbolism: Each work hides deep meanings related to love, death, and rebirth, with inscriptions in Latin and vernacular.
- Free paths and secret corners: Secondary trails lead to lesser-known sculptures like the Dwarf with the wineskin and the Banquet of the Gods, in a labyrinth of emotions.
- 16th-century history: Created by Prince Orsini to process the grief of his wife, the park was restored in the 1950s after centuries of neglect.
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The Sacro Bosco di Bomarzo, a unique Mannerist garden with grotesque sculptures like the Orco and the Leaning House, reveals alchemical and mythological symbols. Discover the story of Prince Orsini and the secret paths among the stone statues.
Good to know
A Stone World That Astonishes
The Story Behind the Monsters
- 1547-1552: Pier Francesco Orsini begins the creation of the park
- 1585: Death of Orsini, beginning of the decline
- 1954-1970: Complete restoration of the park
- Today: Cultural heritage open to visitors year-round
The Hidden Symbols Among the Sculptures
Secret Paths and Magical Corners
Why It’s Worth Visiting
The Perfect Moment
Complete the Experience
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💡 Did You Know…?
The most fascinating legend concerns the sphinx at the entrance, which bears the inscription ‘Whoever does not visit this place with arched eyebrows and drunken lips fails to admire the world’s famous seven wonders.’ It is said that Pier Francesco Orsini created the park as a symbolic labyrinth to express his grief after the death of his wife Giulia Farnese. The sculptures, such as the Elephant crushing a legionary or the Giant Turtle, have no equal in Italy and represent a unique feature in the landscape of European historical gardens.






