Basilica of Saint Clare in Assisi: San Damiano Crucifix and the Saint’s Remains

The Basilica of Saint Clare in Assisi is not just a monument; it’s an experience that envelops you as soon as you cross the threshold. The facade made of pink Subasio stone seems to capture the sunlight differently at every hour, offering shades ranging from golden to deep pink. Inside, the atmosphere is one of palpable quiet, almost suspended in time. It’s not uncommon to see visitors sitting in silence, absorbed in contemplation or prayer. Personally, I’m always struck by the contrast between the external architectural simplicity and the spiritual richness felt within. It’s a place that speaks without needing words, ideal for those seeking a moment of respite from daily chaos. Its location, atop a gentle slope in the heart of Assisi, also offers a discreet yet suggestive view of the valley below, adding a touch of natural beauty to the artistic and religious one.

The history of the basilica is closely tied to that of Saint Clare, the founder of the Order of the Poor Clares. Construction began in 1257, just a few years after her death, to house her remains. The building stands on the site of a previous church dedicated to Saint George, where Francis of Assisi received his education. A detail few notice: the crypt that now holds the saint’s body was only discovered in 1850, after centuries during which her tomb remained hidden. The basilica has undergone various modifications over time, such as the restoration of the bell tower in the 1500s, but it retains its 13th-century character. I like to think that the same stones have witnessed generations of pilgrims, each with their own story.

• 1257: Construction of the basilica begins
• 1260: Translation of Saint Clare’s body to the church
• 1850: Discovery of the crypt containing the saint’s remains
• 1934: Proclamation of Saint Clare as patron saint of television

One of the main reasons to visit the basilica is the San Damiano Crucifix, preserved in the Chapel of the Crucifix. This is no ordinary artwork: according to tradition, it was this 12th-century wooden crucifix that spoke to Francis of Assisi, urging him to “repair my house.” This event marked the beginning of his spiritual journey. Seeing it up close is moving: the colors have faded with time, but the details of the figures remain expressive. It is housed in a side niche, illuminated by soft light that enhances its sacredness. I sometimes wonder what Francis felt in that moment, before such a simple yet powerful image. The chapel is small, intimate, and invites a reflective pause. Note: it is not always accessible due to restoration work or events, so it’s best to check in advance.

Descending into the crypt is like entering another world, more intimate and intense. Here rest the remains of Saint Clare, visible through a glass case. The body, dressed in the order’s habit, is surprisingly well-preserved, and the space is filled with an almost sacred silence. Nearby, in a separate case, some of the saint’s personal items are displayed, such as her habit and the hair cut during her religious profession. These are relics that tell a story of poverty and dedication, and seeing them up close adds a layer of tangibility to her history. The crypt is often crowded, but not noisy: people speak in hushed tones, as if out of respect. Personally, I find that this underground space, with its low vaults and soft light, conveys a sense of protection. It’s not uncommon to see visitors leaving a note or a written prayer.

Visiting the Basilica of Saint Clare is worthwhile for at least three concrete reasons. First, it is one of the few places in the world where you can see a historic crucifix linked to a miraculous event, that of San Damiano, which changed the history of Franciscanism. Second, it offers the unique opportunity to approach the relics of a founding saint in an authentic, non-museum setting. Third, the architecture itself, with its Romanesque facade and sober interiors, is a perfect example of how Umbrian medieval art can combine beauty and spirituality without excess. Additionally, its location in the center of Assisi makes it easy to combine with other visits, yet it retains a more tranquil atmosphere compared to the Basilica of Saint Francis. I would return for that sense of peace you can feel there, which is hard to find elsewhere.

The best time to visit the basilica, in my experience, is early in the morning, shortly after opening. The light filtering through the side windows illuminates the nave in a suggestive way, creating plays of shadows on the stones. Additionally, there are fewer people, and you can enjoy the tranquility of the place without distractions. If you prefer a more participatory atmosphere, festive days like August 11th (Feast of Saint Clare) are lively, with special celebrations and pilgrims from all over the world. In autumn, when the leaves of the surrounding trees take on warm hues, the exterior of the basilica seems to blend with the landscape in a particularly harmonious way. I would avoid the midday hours during high season, when tourist groups can make the environment a bit crowded. Once I went at sunset, and the pink facade lit up with golden reflections: a spectacle I won’t forget.

After your visit, I recommend exploring two nearby places that complete the experience. First, the Church of San Damiano, just a few minutes’ walk along a downhill path: it’s the hermitage where Saint Clare lived for years, preserving the austere and intimate atmosphere of a Franciscan retreat. Second, the Porziuncola Museum, located in the Basilica of Santa Maria degli Angeli (just outside Assisi): here you can delve into the history of Francis and Clare through artifacts and artworks, including the small Porziuncola chapel, the heart of Franciscanism. Both sites are easily accessible and offer different perspectives on Umbrian spirituality. If you have time, a stroll through Assisi’s historic center, with its cobblestone alleys and artisan shops, is the perfect way to end the day.